Christopher Williams – Sound Artist

a.k.a The Strange Mechanism

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  • Home
  • Biography
    • Awards
    • Commissions
    • Education & Training
    • Work
    • Artist Residencies, Internships & Grants
  • Research
    • Creative Praxis in Radiophonic Art
      • Granados Analysis
      • My Poor Room Analysis
      • The Glass Cage Analysis
    • Key Texts
    • Research
    • Papers & Presentations
    • Lecturing & Workshops
  • Exhibitions & Installations
    • Avian Antics
    • Hidden Histories
    • Landscape After Death [Dub]
    • Manifesto
    • Scratch
    • Sympathy for the Devil
    • The Boat Builders
    • Under the Surface
    • Wiimpii Pulkuu
    • Z Ward
    • Atmosphären
    • Soundings
    • Auditorium for Echoes/Watercoursing
    • Four Works for Headphones
    • Uneasily Along the Sand
    • Waiting for You
  • Radiophonic Works
    • A Ruined Building Filled With Voices
    • Crashing Aeroplanes
    • Erebus
    • Explosion of a Memory
    • How Are You?
    • Landscape After Death
    • Lighter Than Air
    • Macbeth
    • Paradise Lost
    • Self-Accusation
    • Speaking to Blue Winds
    • Testimony
    • The Glass Cage
    • The Luckless Angel
    • Torschlusspanik
    • TV
    • Vanishing Points
    • Granados
    • My Poor Room
  • Electronic Music Composition
    • The Strange Mechanism
      • Sonography
      • Control Signal
      • Signal to Noise
      • Uncertainty Principle
      • Total Harmonic Distortion
      • Frequency Response
      • Critical Bands
    • Collaborations with Johannes S. Sistermanns
    • Collaborations with Niall Brown
  • Live Performance
    • Revolution #9
    • Sounds Feed Back
    • Sympathy for the Devil
    • . . . As If Electrically Controlled
  • The Listening Gallery
    • Two New Proposals/Picnic at Broken Hill
  • Contact
  • Copyright

Live Performance

Sympathy for the Devil

Revolution #9

. . . As If Electrically Controlled

Landscape After Death

Sounds Feed Back

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