Artist Residencies, Internships & Grants

Arts SA Fellowship.  ‘The Radiophonic Orchestra’ Project.  In association with Robin Minard (mentor), founding Director of the SEAM, Weimar; and the Ukaria Concert Space.  Arts SA, 2022-2023

Sound Artist Residency. Sauerbier House. 2022

Arts Recovery Grant. Arts SA. 2021

Sonic Artist/Composer Residency. Carrick Hill House.  2021

Landscape Stories Artist Residency.  City of Port Adelaide/Enfield. 2020-2022

Innovating Practice Grant.  Arts SA.  2020

Soundstream Emerging Composers Forum/Residency.  Soundstream New Music/ABC Classic FM.  2019-2023.

Sound Artist Residency.  Earth Canvas. To create a quadraphonic sound installation at Bibbaringa Farm Woolshed. 2019.

Composer Residency,  Work on Cooee Song.  SIAL Studio, RMIT. 2019.

Catapult Mentorship Grant.  Guildhouse.  To work with Johannes Sistermanns as mentor in transducer technology for sound installation and live electronic music.  2019.

SALA Artist Residency at Hampstead Rehabilitation Centre.  Commissioned to make the sound installation Softly the Body with visual artist Therese Williams. 2019.

Postgraduate Research Grant.  For doctoral research into post-radiophonic art at the University of Technology, Sydney.  2014-2016.

Composer Residency.  Work on Landscape After Death [Dub] and Sympathy for the Devil. Electronic Music Unit, Elder Conservatorium of Music.  2016

Project Development Grant.  Arts SA.  To workshop Sympathy for the Devil prior to its commissioning by Soundstream New Music and its presentation at the Samstag Museum of Art. 2015.

Composer Residency.  Istituto Musicale Mascagni, Livorno.  2014.

Composer Residency.  Studio für elektronische Musik, Weimar.  2014.

Quick Response Grant.  Arts SA.  To respond to invitation to present Manifesto at the Studio für elektronische Musik, Weimar. 2014.

Composer Residency.  IHOS Opera.  To compose, workshop, design and direct the live opera As if Electrically Controlled in quadraphonic sound.  2006-2007.

Production Grant. Australia Council. To present the premiere of Low by Daniel Keene at Belvoir St Theatre.  1991.

Directors Development Grant.  Theatre Board, Australia Council. 1988.

Directing Internship.  Australian Opera.  For a new production of The Magic Flute, and the premier production of Voss.  1985-1986.

Directing Internship. Sydney Theatre Company.  For the production of  Nicholas Nickleby. 1983

Directing Internship.  Seymour Centre.  For the production of St Joan of the Stockyards,  1983