Christopher Williams – Sound Artist
a.k.a The Strange Mechanism
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Biography
Awards
Commissions
Education & Training
Work
Artist Residencies, Internships & Grants
Research
Creative Praxis in Radiophonic Art
Granados Analysis
My Poor Room Analysis
The Glass Cage Analysis
Key Texts
Research
Papers & Presentations
Lecturing & Workshops
Exhibitions & Installations
Avian Antics
Bibbaringa Dawn
Birds of a Feather
Breath Pattern
Car Park
Coastal Echoes
Hidden Histories
Landscape After Death [Dub]
Manifesto
Scratch
Sympathy for the Devil
The Boat Builders
The Flow of Water
The Scattering of Leaves
Under the Surface
Wiimpii Pulkuu
Z Ward
Atmosphären
Soundings
Auditorium for Echoes/Watercoursing
Cooee Song
Four Works for Headphones
Uneasily Along the Sand
Waiting for You
Radiophonic Works
A Cloud in Pants
A Ruined Building Filled With Voices
Cooee Song
Crashing Aeroplanes
Erebus
Explosion of a Memory
How Are You?
Landscape After Death
Lighter Than Air
Macbeth
Omaggio a Marino//Arte Radiofonica
Paradise Lost
Self-Accusation
Speaking to Blue Winds
Testimony
The Glass Cage
The Luckless Angel
Torschlusspanik
TV
Vanishing Points
Granados
My Poor Room
Electronic Music Composition
The Strange Mechanism
Sonography
Control Signal
Signal to Noise
Uncertainty Principle
Total Harmonic Distortion
Frequency Response
Critical Bands
Collaborations with Johannes S. Sistermanns
Collaborations with Niall Brown
Live Performance
Aldinga Scrub
Omaggio a Marino//Arte Radiofonica
Reed & Wires
Revolution #9
Sounds Feed Back
Sympathy for the Devil
Test Pressing
The Scattering of Leaves
. . . As If Electrically Controlled
The Listening Gallery
Two New Proposals/Picnic at Broken Hill
The Strange Mechanism Studio
Copyright Notice
Paradise Lost
From Books I, II, & IV of John Milton’s masterpiece of the English language.
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