Christopher Williams – Sound Artist

a.k.a The Strange Mechanism

Menu

Skip to content
  • Home
  • Biography
    • Awards
    • Commissions
    • Education & Training
    • Work
    • Artist Residencies, Internships & Grants
  • Research
    • Creative Praxis in Radiophonic Art
      • Granados Analysis
      • My Poor Room Analysis
      • The Glass Cage Analysis
    • Key Texts
    • Research
    • Papers & Presentations
    • Lecturing & Workshops
  • Exhibitions & Installations
    • Avian Antics
    • Bibbaringa Dawn
    • Birds of a Feather
    • Breath Pattern
    • Car Park
    • Coastal Echoes
    • Hidden Histories
    • Landscape After Death [Dub]
    • Manifesto
    • Scratch
    • Sympathy for the Devil
    • The Boat Builders
    • The Flow of Water
    • The Scattering of Leaves
    • Under the Surface
    • Wiimpii Pulkuu
    • Z Ward
    • Atmosphären
    • Soundings
    • Auditorium for Echoes/Watercoursing
    • Cooee Song
    • Four Works for Headphones
    • Uneasily Along the Sand
    • Waiting for You
  • Radiophonic Works
    • A Cloud in Pants
    • A Ruined Building Filled With Voices
    • Cooee Song
    • Crashing Aeroplanes
    • Erebus
    • Explosion of a Memory
    • How Are You?
    • Landscape After Death
    • Lighter Than Air
    • Macbeth
    • Omaggio a Marino//Arte Radiofonica
    • Paradise Lost
    • Self-Accusation
    • Speaking to Blue Winds
    • Testimony
    • The Glass Cage
    • The Luckless Angel
    • Torschlusspanik
    • TV
    • Vanishing Points
    • Granados
    • My Poor Room
  • Electronic Music Composition
    • The Strange Mechanism
      • Sonography
      • Control Signal
      • Signal to Noise
      • Uncertainty Principle
      • Total Harmonic Distortion
      • Frequency Response
      • Critical Bands
    • Collaborations with Johannes S. Sistermanns
    • Collaborations with Niall Brown
  • Live Performance
    • Aldinga Scrub
    • Omaggio a Marino//Arte Radiofonica
    • Reed & Wires
    • Revolution #9
    • Sounds Feed Back
    • Sympathy for the Devil
    • Test Pressing
    • The Scattering of Leaves
    • . . . As If Electrically Controlled
  • The Listening Gallery
    • Two New Proposals/Picnic at Broken Hill
  • The Strange Mechanism Studio
  • Copyright Notice

The Glass Cage Analysis

Michael Russell’s passionate “J’accuse!” over his treatment as a residential ‘client’ of the mental health sector.  Written in six voices: aspects of Michael’s personality each performed by David Field.  Focus on the disintegration of personal identity.

The links below will display relevant PDFs

The Glass Cage Poietic Analysis

The Glass Cage Transcript

The Glass Cage Speech Transcript

+
Proudly powered by WordPress | Theme: spun by Caroline Moore.